Not only did Spatial Audio track my head movements - keeping each instrument in a fixed place as if I were at a live concert - it also highlighted vocal harmonies and small background instrumentation I never noticed when listening on Spotify. I was calmly bobbing my head to Turnstile’s “Glow On” - an album I’ve listened to dozens of times - when the soaring anthemic chorus of the blistering punk song “Endless” suddenly hit me like a truck. These sites are made for mid-range to large bands who can tap into an online community to drive sales.Your CNN account Log in to your CNN accountĪ few weeks back when testing out the AirPods Max, I decided to fire up Apple Music to see how the company’s immersive 360-degree Spatial Audio tech held up on the high-end headphones. Sites that charge annual fees but let you keep royalties are more profitable if you can sell over 1,000 copies a year. Musicians with a large online backing should keep their royalties.
However, this means that they spend more time marketing your band and working with you to maximize sales. Companies like InGroove and The Orchard only a few bands based on their quality and following. Established musicians should contact small, niche aggregators.This allows you to keep your music on iTunes forever, not until you the day you can’t afford an annual fee anymore. Unless you can sell thousands of copies, you will make more money paying a cut of royalties to a company like CDBaby or MondoTunes. New musicians should avoid annual fees.After you’ve made that decision you can choose between the features each site offers by checking the “FAQ” and “Services” pages on their website. There are a lot of choices, but the biggest decision to make is whether you want to pay annual fees or a percentage of your royalties. Sign up an aggregator that fits your band.
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